{"id":1365,"date":"2021-01-21T21:24:15","date_gmt":"2021-01-21T21:24:15","guid":{"rendered":"https:\/\/teche.museogalileo.it\/leocode\/?page_id=1365"},"modified":"2023-07-17T22:16:44","modified_gmt":"2023-07-17T22:16:44","slug":"related_reading","status":"publish","type":"page","link":"https:\/\/teche.museogalileo.it\/leocode\/?page_id=1365","title":{"rendered":"Related Reading"},"content":{"rendered":"\t\t
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Related Reading<\/h2>

Publications Related to Computational Coding of Paper<\/h4>

Ellis, Margaret Holben. “Shared Watermark Types in the Royal Collection Trust and the Codex Leicester: Fleur-de-lis or Lily.” LEOcode.org. February 19, 2023. https:\/\/teche.museogalileo.it\/leocode\/wp-content\/uploads\/2023\/01\/Fleur-de-lis_Lily-FINAL.pdf<\/a>.<\/span><\/p>

Ellis, Margaret Holben. “Shared Watermark Types in the Royal Collection Trust and the Codex Arundel: St. Catherine’s Wheel.” LEOcode.org. February 19, 2023.\u00a0https:\/\/teche.museogalileo.it\/leocode\/wp-content\/uploads\/2023\/01\/St-Catherines-Wheel-FINAL.pdf<\/a>.<\/span><\/p>

Ellis, Margaret Holben, and C. Richard Johnson, Jr. \u201cComputational Connoisseurship: Enhanced Examination Using Automated Image Analysis.\u201d\u00a0Visual Resources<\/em>\u00a035, no. 1-2 (2019): 125-140.\u00a0https:\/\/doi.org\/10.1080\/01973762.2019.1556886<\/a>.<\/span><\/p>

Ellis, Margaret\u00a0Holben, William A. Sethares, and C. Richard Johnson, Jr. \u201cA Powerful Tool for Paper Studies: The Computational\u00a0Coding<\/em>\u00a0of Watermarked Papers in Leonardo\u2019s Codex Leicester and Codex Arundel.\u201d\u00a0The Quarterly: The Review of the British Association of Paper Historians,\u00a0<\/em>no. 118 (July 2021): 1-18. https:\/\/teche.museogalileo.it\/leocode\/wp-content\/uploads\/2022\/02\/Ellis_Johnson_Codex_Leicester_Computational_Coding_Quarterly_2021.pdf<\/a>.<\/span><\/p>

Ellis, Margaret Holben, C. Richard Johnson, Jr., and William A. Sethares. \u201cAdvances in the Computational Characterization of Leonardo\u2019s Papers: Why Moldmates Matter.\u201d\u00a0Proceedings of the International Association of Paper Historians (IPH) 35th<\/sup>\u00a0Biennial Congress<\/em>, 2021, forthcoming.<\/p>

Ellis, Margaret Holben, C. Richard Johnson, Jr., and William A. Sethares. \u201cMoldmates Matter: Computational Tools to Enhance, Measure, Compare, and Match Historical Papers.\u201d Getty Research Journal<\/em>, vol. 17 (January 2023): 1-24. https:\/\/doi.org\/10.1086\/724136<\/a>.<\/span><\/p>

Ellis, Margaret Holben, William A. Sethares, and C. Richard Johnson, Jr. \u201cComputational Characterization of Leonardo\u2019s Papers.\u201d In Decoding Leonardo’s Codices: Compilation, Dispersal, and Reproduction Technologies<\/em>, edited by Paolo Galluzzi and Alessandro Nova, 277-288. Florence: Marsilio, 2022.<\/p>

Gorske, Sara F., C. Richard Johnson, Jr., William A. Sethares, Margaret Holben Ellis, and Paul Messier. \u201cMoldmate Identification in Pre-19th<\/sup>-century European Paper Using Quantitative Analysis of Watermarks, Chain Line Intervals, and Laid Line Density.\u201d\u00a0International Journal for Digital Art History<\/em>\u00a0(March 2021): 6.15-6.32.\u00a0https:\/\/doi.org\/10.11588\/dah.2020.5.71232<\/a>.<\/span>\u00a0<\/p>

Johnson, Jr., C. Richard. \u201cDecision Trees for Watermark Identification in Rembrandt\u2019s Etchings.\u201d\u00a0Journal of Historians of Netherlandish Art\u00a0<\/em>12.2 (Summer 2020).\u00a0https:\/\/doi.org\/10.5092\/jhna.12.2.5<\/a>.<\/span><\/p>

Johnson, Jr., C. Richard, William A. Sethares, and Margaret Holben Ellis. \u201cOverlay Videos for Quick and Accurate Watermark Identification, Comparison, and Matching,\u201d\u00a0Journal of Historians of Netherlandish Art<\/em>\u00a013, no. 2 (Summer 2021).\u00a0https:\/\/doi.org\/10.5092\/jhna.2021.13.2.1<\/a>.<\/span>\u00a0<\/p>

Johnson, Jr., C. Richard, William A. Sethares, Margaret Holben Ellis, and Saira Haqqi. \u201cHunting for Paper Moldmates among Rembrandt\u2019s Prints.\u201d\u00a0IEEE Signal Processing Magazine: Art Investigation<\/em>\u00a032, no. 4 (July 2015): 28\u201337.\u00a0https:\/\/doi.org\/10.1109\/MSP.2015.2404931<\/a>.<\/span><\/p>

Johnson, Jr., C.R., W.A. Sethares, M.H. Ellis, S. Haqqi, R. Snyder, E. Hinterding, I. van Leeuwen, A. Wallert, D. Christoforou, J. van der Lubbe, N. Orenstein, A. Campbell, and G. Dietz. \u201cChain Line Pattern Matching and Rembrandt\u2019s Prints.\u201d In\u00a0Rembrandt and His Circle: Insights and Discoveries<\/em>, edited by Stephanie Dickey, 319-334. Amsterdam: University of Amsterdam Press, 2017.<\/p>

Sethares, William A., Margaret Holben Ellis, and C. Richard Johnson, Jr. \u201cComputational Watermark Enhancement in Leonardo\u2019s\u00a0Codex Leicester<\/em>.\u201d\u00a0Journal of the American Institute for Conservation<\/em>\u00a059, no. 2 (March 2020): 87-96.\u00a0https:\/\/doi.org\/10.1080\/01971360.2019.1703483<\/a>.<\/span><\/p>

Slawik, Abigail. \u201cSecrets in Plain Sight.\u201d Friends of Conservation Newsletter<\/em>, October 2022.\u00a0https:\/\/conta.cc\/3za0BGO<\/a>.<\/span>\u00a0<\/p>

Slawik, Abigail, Margaret Holben Ellis, William A. Sethares, and C. Richard Johnson, Jr. \u201cUser-friendly Software for Identifying Moldmates and Twins in Antique Laid Paper: Case Study of a Disbound Blank Book,\u201d Manuscript Studies<\/em> 7, no. 2, (Fall 2022): 341-360. https:\/\/doi.org\/10.1353\/mns.2022.0020<\/a>.<\/span><\/p>

Slawik, Abigail and Margaret Holben Ellis. \u201cLEOcode<\/em> Goes Live: A Dynamic Resource and Tool for Paper Historians, Conservators, Codicologists, and Art Historians.\u201d<\/a><\/span> Artists’ Paper: A Case in Paper History. <\/em>Proceedings of the International Association of Paper Historians (IPH) 36th<\/sup> Biennial Congress,<\/em> edited by P. Engel et al. (Horn\/Wien, Verlag Berger, 2023): 87-105.<\/p>

Weislogel, Andrew C., and C. Richard Johnson, Jr. \u201cDecision Trees and Fruitful Collaborations: The Watermark Identification in Rembrandt\u2019s Etchings (WIRE) Project at Cornell.\u201d In\u00a0Lines of Inquiry: Learning from Rembrandt\u2019s Etchings<\/em>, edited by Andrew Weislogel and Andaleep Banta, 32-57. Ithaca, New York: Herbert F. Johnson Museum of Art, Cornell University, 2017.\u00a0https:\/\/museum.cornell.edu\/sites\/default\/files\/DecisionTrees-WeislogelJohnson2017-LinesofInquiry.pdf<\/a>.<\/span>\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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 Presentations and Workshops<\/h4>\n

Ellis, Margaret H., C. Richard Johnson, Jr., and William A. Sethares. \u201cComputational Characterization of Leonardo\u2019s Papers.\u201d Presentation at the international conference Decoding Leonardo\u2019s Codices at the Kunsthistorisches Institut in Florenz, in collaboration with the Museo Galileo, Florence, 10-12 October, 2019. https:\/\/vimeo.com\/showcase\/6528343\/video\/374148029<\/a><\/span>.<\/p>\n

Ellis, Margaret Holben, C. Richard Johnson, Jr., and William A. Sethares. \u201cCoding Historical Papers: Identifying Sameness and Difference in Watermarks, Chain Lines, and Laid Lines.\u201d Foundation for Advancement in Conservation Workshop, March 1, 3, and 5, 2021.<\/p>\n

Ellis, Margaret Holben, and Abigail Slawik. “LEOcode: A Powerful Tool for Investigating Leonardo’s Papers.” Presentation at the conference Leonardo da Vinci’s Papers: Invention and Reconstruction at The British Library and Birbeck College\/Warburg Institute, London, 18-19 May, 2023.<\/p>\n

Johnson, Jr., C. Richard, Margaret Holben Ellis, and William A. Sethares. \u201cHunting for Paper Moldmates in Leonardo da Vinci\u2019s Codices.\u201d Presentation for The Digital Art History Lab Lectures, The Frick Collection, New York, NY, 18 February, 2021. https:\/\/www.frick.org\/interact\/paper_moldmates<\/a>.<\/span><\/p>\n

Sethares, William, and Elisa Ou. “LEOcoding the Codex Madrid.” Presentation at the conference Leonardo da Vinci’s Papers: Invention and Reconstruction at The British Library and Birbeck College\/Warburg Institute, London, 18-19 May, 2023.<\/span><\/p>\n

Sethares, William, Abigail Slawik, Elisa Ou, Margaret Holben Ellis, C. R. Johnson, Jr, “A Computational Study of the Internal Structure of Historical Papers: Leonardo da Vinci’s Notebooks.\u201d Wolfram Technology Conference, Champaign, IL, October 2022. <\/p>\n

Slawik, Abigail. “Using the Open-Source Paper Studies Suite to Identify Moldmates in Leonardo’s Papers.” LE STUDIUM Conference: Novel Approaches to Digital Codicology, Centre d’E\u0301tudes Supe\u0301rieures de la Renaissance, Tours, 10-12 May, 2023.<\/p>\n

Slawik, Abigail, Margaret Holben Ellis, C. Richard Johnson, Jr., and William A. Sethares. “Presenting LEOcode<\/em>: An Online Compendium of Watermarks Found in Leonardo\u2019s Papers.” 6th International Conference on Watermarks in Digital Collections, Fabriano, Italy, May 2022.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Publications Related to Paper and Papermaking <\/strong><\/h4>

Albro, Sylvia Rodgers. Fabriano: City of Medieval and Renaissance Papermaking<\/em>. New Castle and Washington, D.C.: Oak Knoll Press and The Library of Congress, 2016.<\/p>

Baker, Cathleen A. \u201cPapermaking by Hand and by Machine.\u201d In\u00a0From the Hand to the Machine<\/em>, 34-50. Ann Arbor, Michigan: Legacy Press, 2010.<\/p>

Bernick, Elizabeth H. \u201cDrawing Connections \u2013 New Discoveries Regarding Cesare da Sesto\u2019s Sketchbook.\u201d Master Drawings<\/em> 57, no. 2 (2019): 147-196.\u00a0<\/p>

Bidwell, John. \u201cThe Study of Paper as Evidence, Artefact, and Commodity.\u201d In\u00a0The Book <\/em>Encompassed<\/em>, edited by Peter Davison, 69-82. New Castle, DE: Oak Knoll Press, 1998.<\/p>

Briquet, Charles-Moi\u034f\u0308se. Les Filigranes: Dictionnaire historique des marques du papier d\u00e9s leurs <\/em>apparition vers jusqu’en 1600<\/em>, 4 volumes. Geneva: A. Jullien, 1907. Corpus Chartarum Fabriano (website). Fondazione Fedrigoni Fabriano. Accessed February 6, 2020, http:\/\/www.fondazionefedrigoni.it\/<\/a>.<\/span><\/p>

Harris, Neil.\u00a0Paper and Watermarks as Bibliographical Evidence<\/em>, 2nd ed. Lyon: Institut d\u2019histoire du livre, 2017. \u00a0\u00a0 http:\/\/ihl.enssib.fr\/sites\/ihl.enssib.fr\/files\/documents\/Harris_Paper%20and%20Watermarks.pdf<\/a>.<\/span><\/p>

Heumiller, K., S. Choi, J. Stenger, and C. Graham. \u201cPost Processing of Reflectance Transform Imaging for Isolation of Surface Impressions.\u201d Archiving 2016: Final Program and Proceedings<\/em>, 15-20. Springfield, VA: Society for Imaging Science and Technology, 2016.<\/p>

Hinterding, Erik. \u201cChapter 1: Rembrandt\u2019s Papers.\u201d In\u00a0Rembrandt as an Etcher: The Practice of <\/em>Production and Distribution<\/em>, vol. 1, 15-65. Ouderkerk aan den IJssel: Sound & Vision Publishers, 2006.<\/p>

Hinterding, Erik, J. Rutgers, and G. Luijten. \u201cIntroduction.\u201d In\u00a0The New Hollstein Dutch & Flemish <\/em>Etchings, Engravings and Woodcuts 1450-1700<\/em>, \u201cRembrandt, Text I, 1625-1635, Nos. 1-153\u201d, xlvi \u2013 lxvi. Ouderkerk aan den IJssel:\u00a0<\/em>Sound & Vision Publishers, 2013.<\/p>

International Association of Paper Historians. International Standard for the Registration of Papers <\/em>With or Without Watermarks, <\/em>Version 2.1.1 (2013).<\/em> Basel, Switzerland: The Association. Accessed online July, 2021. http:\/\/www.paperhistory.org\/Standards\/IPHN2.1.1_en.pdf<\/span><\/a>.<\/p>

The Memory of Paper (website). Bernstein Consortium. Updated November 27, 2019. http:\/\/www.memoryofpaper.eu<\/a>.<\/span><\/p>

Needham, Paul. \u201cThe Study of Paper from an Archival Point of View.\u201d\u00a0IPH Yearbook<\/em>\u00a07: Papers of the <\/em>19th International Congress of Paper Historians, <\/em>Durham and Hertford, 4-10 September 1988 (1988): 122-136.<\/p>

Needham, Paul. \u201cConcepts of Paper Study.\u201d In\u00a0Puzzles in Paper: Concepts in Historical Watermarks:<\/em>\u00a0Essays from the International Conference on the History, Function, and Study of Watermarks, Roanoke, Virginia<\/em>, edited by Daniel W. Mosser, Michael Saffle and Ernest W. Sullivan II, 1-36, New Castle, DE: Oak Knoll Press, 2000.<\/p>

The Needham Calculator 1.0 (website). The Schoenberg Institute for Manuscript Studies, University\u00a0of Pennsylvania Libraries. Accessed July 15, 2021. http:\/\/needhamcalculator.net<\/a>.<\/span><\/p>

Kitty Nicholson, Making Watermarks Meaningful: Significant Details in Recording and Identifying Watermarks<\/a><\/span>,\u00a0 The Book and Paper Group Annual, Vol. 1, The American Institute for Conservation, 1982.<\/p>

Richardson, Brian. Printing, Writers and Readers in Renaissance Italy<\/em>. Cambridge and New York: Cambridge University Press, 1999.<\/p>

Stevenson, Allan. \u201cChain Indentations in Paper as Evidence.\u201d\u00a0Studies in Bibliography<\/em>\u00a06 (1954): 181-195.<\/p>

Stevenson, Allan. \u201cWatermarks Are Twins.\u201d\u00a0Studies in Bibliography<\/em>\u00a04 (1951\/1952): 57-91, 235.<\/p>

Tanselle, G. Thomas. \u201cThe Bibliographical Description of Paper.\u201d\u00a0Studies in Bibliography<\/em> 24 (1971): 27-67.<\/p>

Wasserzeichen-Informationssystem (website). The German Research Foundation. Accessed February 6, 2020, https:\/\/www.wasserzeichen-online.de\/wzis\/projekt\/index.php<\/a><\/span>.<\/p>

Zonghi, Aurelio, and Augusto Zonghi. Zonghi\u2019s Watermarks: The Watermarks Collected by A. & A. <\/em><\/p>

Zonghi as Traced from the Original Papers by C. Canavari, <\/em>Monumenta chart\u00e6 papyrace\u00e6 historiam illustrantia, vol. 3. Hilversum, Holland: The Paper Publications Society, 1953.\u00a0<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Publications Related to the Manuscripts of Leonardo da Vinci<\/strong><\/h4>\n

Bambach, Carmen C. Leonardo da Vinci Rediscovered<\/em>. New Haven and London: Yale University Press, 2019.<\/p>\n

Bambach, Carmen C. \u201cOn the Role of Scientific Evidence in the Study of Leonardo\u2019s Drawings.\u201d In Leonardo da Vinci\u2019s Technical Practice: Paintings, Drawings and Influence<\/em>, edited by Michel Menu. Paris: Hermann, 2014.<\/p>\n

Barone, Juliana. \u201cIntroduction,\u201d in Leonardo in Britain: collections and historical reception: <\/em>proceedings of the International Conference, London, 25-27 May 2016<\/em>, ed. Susanna Avery-Quash and Juliana Barone (Firenze: Leo S. Olschki editore 2019), xxv-xxvi. https:\/\/arthistoriography.files.wordpress.com\/2019\/08\/leonardo-in-britain-intn.pdf<\/span><\/a>.<\/p>\n

Barone, Juliana, ed. Leonardo da Vinci: A Mind in Motion<\/em>, exh. cat. London: The British Library, 2019.<\/p>\n

Blyth-Hill, Victoria. \u201cConservation Treatment of a Leonardo da Vinci Manuscript.\u201d Preprints of Papers <\/em>Presented at the Tenth Annual Meeting<\/em>, Milwaukee, Wisconsin, May 26-30, 1982, Washington, D.C.: American Institute for Conservation of Historic and Artistic Works, 113-123.<\/p>\n

Calvi, Gerolamo. Il codice di Leonardo da Vinci (idraulica e cosmografia) della Biblioteca di Lord Leicester in Holkham Hall, pubblicato sotto gli auspici del Reale Istituto Lombardo di Scienze e Lettere, Milan, Premio Tomasoni<\/em>. Milan: L.F. Cogliati, 1909.<\/p>\n

Calvi, Gerolamo, I manoscritti di Leonardo da Vinci dal punto di vista cronologico, storico e biografico<\/em>, Bologna: Zanichelli, 1925 (reprint: Augusto Marinoni (ed.): Busto Arsizio: Bramante, 1982).<\/p>\n

Christie, Manson & Woods International Inc. The Leonardo da Vinci Codex Hammer: the property of <\/em>the Armand Hammer Museum of Art and Cultural Center, Los Angeles, California: Friday, November 11, 1994. <\/em>New York, N.Y.: Christie, Manson & Woods International Inc.<\/p>\n

Clayton, Martin. Leonardo da Vinci: A Life in Drawing. <\/em>London: Royal Collection Trust, 2018.<\/p>\n

Donnithorne, Alan. Leonardo da Vinci: A Closer Look. Exploring the Beauty and Complexity of <\/em>Leonardo\u2019s Drawings through a Study of his Materials and Methods<\/em>. London: Royal Collection Trust, 2019.<\/p>\n

Farago, Claire. \u201cThe Codex Leicester.\u201d In Leonardo da Vinci, Master Draftsman<\/em>, edited by Carmen C. Bambach, exh. cat. New York, NY: Metropolitan Museum of Art, 2003, 191-201.<\/p>\n

Farago, Claire, Martin Kemp, Owen Gingerich, and Carlo Pedretti, eds. Codex Leicester: A <\/em>Masterpiece of Science<\/em>, exh. cat. New York, NY: American Museum of Natural History, 1996.<\/p>\n

Galluzzi, Paolo. Water as Microscope of Nature: Leonardo da Vinci\u2019s Codex Leicester. <\/em>Florence: Giunti, 2018.<\/p>\n

Geddes, Leslie A. Watermarks: Leonardo da Vinci and the Mastery of Nature<\/i>. Princeton: Princeton University Press, 2020.<\/p>\n

Laurenza, Domenico. \u201cThe Compilation of the Codex Leicester: An Insight into Leonardo’s Research Style,\u201d in Decoding Leonardo\u2019s Codices<\/em>, Atti del convegno internazionale di studi, <\/em>Kunsthistorisches Institut in Florenz, 10-12 ottobre 2019<\/em>, P. Galluzzi, A. Nova eds., Marsilio, Venezia, forthcoming.<\/p>\n

Laurenza, Domenico, and Martin Kemp, eds. Leonardo da Vinci\u2019s Codex Leicester: A New Edition. <\/em>Oxford and New York: Oxford University Press, 2019-2020. https:\/\/www.oxfordscholarlyeditions.com\/view\/10.1093\/actrade\/9780198832874.book.1\/actrade-9780198832874-work-1<\/a>.<\/span><\/p>\n

Menu, Michel, ed. Leonardo da Vinci\u2019s Technical Practice: Paintings, Drawings and Influence<\/em>. Paris: Hermann, 2014.<\/p>\n

Mus\u00e9e du Louvre. L\u00e9onard de Vinci: Dessins et manuscrits<\/em>, exh. cat. Paris: Mus\u00e9e du Louvre, 2003.<\/p>\n

Pedretti, Carlo. A Chronology of Leonardo da Vinci\u2019s Architectural Studies after 1500. <\/em>Geneva: E. Droz, 1962.<\/p>\n

Pedretti, Carlo. The Codex Atlanticus of Leonardo da Vinci: A Catalogue of Its Newly Restored <\/em>Sheets<\/em>, 2 vols. New York: Johnson, 1978.<\/p>\n

Pedretti, Carlo. The Codex Hammer of Leonardo da Vinci<\/em>, translated into English and annotated by Carlo Pedretti. Florence: Giunti Barb\u00e8ra, 1987.<\/p>\n

Pedretti, Carlo, and Carlo Vecce. Il Codice Arundel 263 nella British Library: edizione in facsimile nel <\/em>riordinamento cronologico dei suoi fascicoli.<\/em> Florence: Giunti, 1998.<\/p>\n

Pedretti, Carlo. The Literary Works of Leonardo da Vinci,<\/em> Jean Paul Richter, ed. Berkeley and Los Angeles: University of California Press, 1977.<\/p>\n

Richter, Jean Paul, ed. The Literary Works of Leonardo da Vinci, <\/em>3rd<\/sup> ed. London and New York: Phaidon, 1970.<\/p>\n

Spadaccini, Benedetta, ed. Leonardo da Vinci e il suo lascito: gli artisti e le tecniche<\/em>, exh. cat. Milan, Pinacoteca Ambrosiana, 2019.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Related Reading Publications Related to Computational Coding of Paper Ellis, Margaret Holben. “Shared Watermark Types in the Royal Collection Trust and the Codex Leicester: Fleur-de-lis or Lily.” LEOcode.org. February 19,…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/template-sinatra-fullwidth.php","meta":{"nf_dc_page":"","footnotes":""},"class_list":["post-1365","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/teche.museogalileo.it\/leocode\/index.php?rest_route=\/wp\/v2\/pages\/1365","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teche.museogalileo.it\/leocode\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/teche.museogalileo.it\/leocode\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/teche.museogalileo.it\/leocode\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/teche.museogalileo.it\/leocode\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1365"}],"version-history":[{"count":5,"href":"https:\/\/teche.museogalileo.it\/leocode\/index.php?rest_route=\/wp\/v2\/pages\/1365\/revisions"}],"predecessor-version":[{"id":5009,"href":"https:\/\/teche.museogalileo.it\/leocode\/index.php?rest_route=\/wp\/v2\/pages\/1365\/revisions\/5009"}],"wp:attachment":[{"href":"https:\/\/teche.museogalileo.it\/leocode\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1365"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}